About the Film
A Midsummer Night’s Dream In Prison
60 mins Not Rated
Directed by Bushra Azzouz
Inside the locked walls of the Two Rivers Correctional Institution near Umatilla, Oregon, cell doors slide open and a group of inmates begins work with visiting theater director Johnny Stallings. Over the next few months, as they cast, rehearse and perform William Shakespeare’s comedic tale of love and reconciliation, A Midsummer Night’s Dream, Iraqi-born Portland experimental filmmaker Bushra Azzouz is there among the costume fittings, meals on plastic lunch trays and deeply personal side conversations to apply her deft hand as a cultural interpreter and activist storyteller. Through her watchful eye, in contrast with societal assumptions about crime and the incarcerated, what she finds is exterior personas softening, meaningful relationships forming, and life stories being reimagined, taking us – as she has in her earlier films about ancestry, war and pain – to the roots of our common humanity and celebrating the hopes and dreams in us all.
Azzouz was unable to complete the film before succumbing to cancer in 2019. At her request, Co-Director/Post Production Director Enie Vaisburd, and Producer Ellen Thomas, Azzouz’s colleagues at the Northwest Film Center, stepped in to finish the editing and launch the film into the world. They, along with a community of individuals, artists, donors, friends, and family, are working with Open Hearts Open Minds as the legacy keepers of the project.
Director Biography
In her 30+ year quest to explore identity, transformation and resilience through film and the arts, Iraqi-born Portland experimental documentary filmmaker Bushra Azzouz (1955-2019) directed four films: A Midsummer Night’s Dream In Prison (with Enie Vaisburd, Ellen Thomas, Johnny Stallings), about a group of inmates who reimagine their lives while putting on a Shakespeare play; And Woman Wove It In a Basket (with Nettie Jackson Kuneki and Marlene Farnum), about Klickitat traditional arts; No News, a meditation on the horrors of 9-11; and Women of Cypress (with Vassiliki Katrivanou), profiling two journeys through war and pain to reconciliation and common ground. As Lead Faculty at the Northwest Film Center School of Film for more than two decades, Azzouz mentored hundreds of emerging artists in classroom and community settings throughout the State. She was a graduate of Reed College (BA, Theater) and San Francisco State University (MA, Film).
Director Statement
We tell ourselves a story about who we are, but we can transform that story. This film is about that re-imagining.
The film was shot over 8 days (a series of dress rehearsals and two public performances) and generated 60 hours of footage. Every prisoner worked equally hard on the project. No one was minimized or eliminated in the editing.
Fertility is one theme. Life flourishes all around the prison even as the inmates are unable to see the horizon from inside. It is about reconciliation. The play’s characters fight and reconcile, just like people do in real life.
I made this film for the prisoners and their families, and for the public to know the very deep humanity of these men. Step by step, one foot in front of the other, we can all take on new roles in life.
June 2019
To learn more about arts in prison, visit OpenHeartsOpenMinds.Org